Wednesday, 17 January 2018

Mauthausen Orchestra ‎– "Mafarka" (Aquilifer Sodality ‎– 1AE12017) 1984

Pierpaulo Zoppo's unhealthy obsessions with extreme sex, perversion, tortures,disease no, not Nazi's AGAIN!?.....manifest them selves in his, admittedly very samey ,but consistently brutal distorted noise collages. Any of his cassettes from 1982 to 1986 are highly recommended for any dysfunctional sociopathic loner to vent his,or rarely, her, pent up anger at the human condition and the world in general.It's a soundtrack for that moment when you really see what is served up on your dinner plate.


Side A - (25:26)
Side B - (22:09)

DOWNLOAD this farka HERE!

Tuesday, 16 January 2018

Mauthausen Orchestra ‎– "Conflict" (Aquilifer Sodality ‎– 1AE02002) 1983

Staying in the Italian Industrial belt, here we have the extreme end of this particularly noisy spectrum with, the now very dead, Pierpaulo Zoppo's Mauthausen Orchestra project.
We are definitely entering the 'Power Electronics' zone of Industrial music here, Italy's Whitehouse compared to Maurizio Bianchi's Old School Throbbing Gristle variety.
At least he named himself after a forced Labour camp rather than one of the alleged 'Extermination'camps, so he's not allying himself with the more extreme end of Nazi politics; probably more out of ignorance rather than consciously.
The music,if thats what you want to call it, is the,now, well-trodden path of napalm intense sand blasting noise that could dissolve your ears if your amplifier could ever go up to eleven.
A true innovator.
(More Mauthausen Orchestra HERE!


Side A : (29:38)
Side B : (28:52)

DOWNLOAD with no conflict of conscience about theft of intellectual property HERE!

Monday, 15 January 2018

Sacher-Pelz ‎– "Velours" (Marquis Tapes ‎– MART 004)1980

The last Sacher-Pelz tape before Bianchi retreated behind his initials, reveals his penchants for mucking about with his record player. This sounds like a scratched LP stuck in a lockgroove, a la Boyd Rice's Pagan Musick stylee. Lots of speeding up,slowing down,and running the grooves backwards with the claustrophobic sibilant qualities of cheap ferric oxide, akin to a wobbly Jacuzzi of fucked up found sound.

Come on,jump in.

A Excitements
B1 Sans Sang
B2 Sapho Noises
B3 Orphelin
B4 Nilehpro
B5 Damenbinde
B6 Velours

Sunday, 14 January 2018

Sacher-Pelz ‎– "Cainus" (Marquis Tapes ‎– MART 001) 1979

Cainus?....can only think this is a biblical reference to Adam and Eve's son Cain? Who was such a naughty boy that he was exiled to the 'Land of Nod' by none-other  than 'God' himself,after murdering his brother Abel. Leaving no other male contributor to the gene pool in Eden than Adam.
Whoopeee, does this mean I can go bible bashing again!?...OK here goes.......
The fact that there was a rival land,apparently populated by rival humans as well(?), to the garden of Eden on early biblical Earth, which some dumb cleric (Archbishop Ussher?) worked out was created on....wait for it..... Sunday 23rd of October 4004 BC at 2pm in the afternoon!!!?.....means that there were already plenty of lifeforms around before God bothered to plonk Adam, alone, in a garden.At what point he did this deed after the six days he took to make the Earth,or was it the universe(?), isn't clear.
Ahhhh,but lickle Adam was lonely. So God ripped out one of Adam's Ribs and carved it into 'Woman' and they were straight at it and had two kids.....Cain and Abel........believable yes?.......millions of so-called intelligent Humans base their entire lives on every punctuation mark that appears in this medieval English literature classic.....although nowadays its wouldn't find a publisher purely for the hundreds of bizarre continuity errors that are strewn carelessly throughout this over lengthy tome. It makes 'Naked Lunch' seem logical in comparison,and probably a more valid and moral religious guidebook too!?
So Cain was exiled to the Land of Nod, which was(don't know why i'm referring to this stuff as 'facts'?)  east of Eden,and beyond  God's influence!!!!???.....this is getting better!?.......Cain was accompanied by his wife!!!!!???? there were other women in Eden too, who apparently were not related to mankinds primary parents? And what was 'west' of Eden I'd like to know? And who created the people of Nod if God had no influence there? Did Cain need a visa? 
I'm so full of questions aren't I?.....unlike our religious buddies who accept any old nonsense as much as we(Atheists/Agnostics) all accept 'Alternative Fact'on Facebook as the literal undeniable truth.
And So endeth my Sunday Sermon.

I'm sure you know what the music sounds like on this cassette? That's right the same as in all the other hundred plus releases that M.Bianchi has shitted out since 1979. Good shit though.


A1 Crime Uberall
A2 The Skeleton
A3 Paranoia
B1 Blood And Pleasure
B2 Cainus
B3 Black Heat / My Last Day
B4 Dans L'Obscurite'...

Saturday, 13 January 2018

Sacher-Pelz ‎– "Venus" (Marquis Tapes) ‎– MART 002)1979

Now we've established that Bianchi made these recordings in his bedroom at his parents house,and that his mother dressed him.One wonders if she ever listened in to what her spoiled child was doing with his cassette recorders? And what would she have said if she had a snidey look at his track titles while he was out looking for friends? 
Almost certainly it would have been a 'Catholic' household,which would explain the borderline Nazi imagery he over-used on later releases; so even the notion of kissing open-mouthed outside of wedlock would have caused major consternation in the Bianchi household.He's a VERY naughty boy indeed!Which i'm sure his new scantily clad friends at the local massage parlour told him regularly between beatings.....probably delivered both ways.
So, I've been informed,he is now a full-time Jehovah's Witness,which also figures because Hitler had a weird respect for this cult, and the way they settled in enthusiastically to their roles as prisoners in the extermination/concentration camps during those jolly old final solution years.No fuss was given, as its all in God's secret plan.......of course it never occurred to them that their skewed interpretation of some tenuous instructions from an invisible and inaudible deity might possibly have been wrong?.....oh no!?
As for Venus,the goddess of 'Love'? Being Roman she would have been well up for the most perverted and sickening forms of sexual expression ever thought up in the cruel mind of man. Therefore, Venus is a very appropriate deity for the common themes of Industrial music ,even if it is made in the bedroom of an adult child.
At first I thought the title was another stab at Genesis P-Orridge because 'Venus' rhymes with 'Penis', which the great GP-O obviously is.It could also apply to Gene Pitney* too,but he's dead, so leave him alone.
Ahhhh...'The Music'??? Forgot about that!
Well,it sounds like Test Department playing in The Titanic after it sank(Which wouldn't be a bad idea?).A sound quality I am very fond of. 

*(see the 'Gene-P' post previously)


A1 La Cartilage Palpitant
A2 Venus
B1 Chains & Whips
B2 Numb Creature
B3 Mutant-Sex
B4 Abortion Size

Wednesday, 10 January 2018

Sacher-Pelz ‎– "Cease To Exist" (Marquis Tapes ‎– MART 003) 1979

Maurizio Bianchi, called himself Sacher-Pelz before transforming himself into the search engine nightmare that is 'MB'.
The title of this cassette suggests a liking for a bit of Throbbing Gristle,and the music suggests a distinct Boyd Rice and 'NON' influence.So expect some harshly manicured noise,terminally repetitive loops, and some attention span testing turntable abuse. All aimed to remind us all of how 'decadent' we are by making us listen to our favorite machines screaming for help....yeah, its all so clear to me now,thanks Maurizio for saving me. He must have been bullied at school.


A1 Helter Skelter
A2 In Dem Tod-tal
A3 Massacre On Cielo D.
A4 Sang Mon Amour
B1 Satan Slaves
B2 Exterminans
B3 Cease To Exist

DOWNLOAD to continue it's existence HERE!

Tuesday, 9 January 2018

Maurizio Bianchi (MB) ‎– "Mörder Tape" (Maurizio Bianchi Self-released C-60) 1980

30minutes of hearing your cassette tape of 'The Forbidden Planet' Soundtrack being chewed up by the tape machine heads. Followed by another 30 minutes of listening to your vintage Fax machine receiving the worlds longest Fax.
A full and robust realisation of Bianchi's concept of, and I quote..."(to)produce technological sounds to work for a full awareness of modern decadence".
How decadant is that?
This is why he dresses like an off duty Postman posing for the menswear section in Kays Catalogue. It could be worse, he might have posed for the underwear section!
Mmmmmm,thats nice.....I'll take three pairs of those casual slacks please....... Trendy Italiano Bianchi relaxing after a hard mornings tape abuse........sometimes he works for half an hour, and then,sometimes, another half an hour......its a hard life being an artist y'know!


Side A
Mörder 1 part 1
Mörder1 part 2

Side B
Mörder 2

DOWNLOAD now...that's a morder!

Monday, 8 January 2018

Maurizio Bianchi (MB) ‎– "Mectpyo-Blut" (Maurizio Bianchi Self-released C-90) 1980

Oh what a surprise! We're back on the old Operation Reinhard Chic modus operandi  again, whoopee!
It's all laughs in the Bianchi household.
If only the orchestra at Belzec played music like this then everyone would have been jogging to the 'alleged' gas chamber.
No, jests. If i'd have been an incarcerated Gypsy or Jehova's Witness, I would have had to have stopped my forced labour,and risked execution, to take in the wonderful fried circuitary sound of our captors Italian allies representative, Mr Bianchi. Whom, also allegedly, is absolutely NOT a Nazi.......nor am I by the way.......but maybe you are?
We ask all the BIG questions here on Die or DIY?


A1 Maidanek Bakterium
A2 Musique Belzec
B1 Mutant Brain
B2 Mord Bahnhof

Sunday, 7 January 2018

Maurizio Bianchi (M.B.) - "Fetish Tape" (Self-Released Cassette) 1980

If there's one subject Industrial musicians like almost as much as Nazi's, it's Fetishes; the more perverted the better.
There's not much on offer on this C-60 to suggest anything sexual,unless drowning in a depth charged U-Boat is a popular pervy pastime? Although you can only do that once, so I doubt it counts as a 'Fetish' as such; but I wager there will be at least one creepy perv lurking in a PVC 'peek-a-boo' bra,crotchless panties and bollock-weight, wanking off about a fantasy such as this!?
Indeed, Side A, is like a recording from the inside of a Nazi Submarine hiding from the Royal Navy,and sinking after being pounded by some very accurate ordnance.
Side B, is somewhat less listenable.Similar to the valve frying sound of the salvaged radio from that very same U-Boat of Side A. Coughing and spluttering back into a malfunctioning existence,picking up only the interference between stations,then feeding it back through a cheapo distortion pedal.


Side A - (29:39)
Side B - (29:57)

DOWNLOAD some sub-space interference HERE!

Saturday, 6 January 2018

Maurizio Bianchi (M.B.) ‎– "Gene P" (Maurizio Bianchi Self-released) 1980

Staying in the dodgy hinterland that is old school Italian noise ,we present more self-released cassettes from the Il Duce of the Industrial Pizza, Maurizio Bianchi, also known as" M.B."(Get more of his many tapes HERE!)
Knowing Maurizio's many flirtations with Fascistic themes and imagery;the Gene P he is referring to in the title is more likely to be something to do with Eugenics rather than a thinly veiled tribute to Gene Pitney.
Side A sounds uncannily like a version of "24 Hours From Tulsa" fed to a concrete mixer full of old tin cans and redundant church bells, before being pulverised into some weird metallic hardcore for one of Mussolini's autostrade.
Side B is a badly mutilated copy of "Somethings Gotten Hold Of My Heart" played by an angle grinder on a stormy hilltop.
Should empty a room of Gene Pitney fans in less than twenty seconds......yep, it's that good.


A Untitled (30:52)
B Untitled (30:48)

Thursday, 4 January 2018

Giancarlo Toniutti ‎– "Das Todesantlitz" (Self-Released - Giancarlo Toniutti ‎– 3) 1983

"Toniutti does minimal electronics".
You know you've made it in the modern composition world when you're referred to solely by your family name.
I think however, that Toniutti was still in the Giancarlo phase when he made these two repetitive electronic pieces. Probably only by his mama, and his rock'n'rolling mates at the Venice Conservatoire of music.I can almost hear him begging them all to just call him 'Toniutti'.
I'm sure he's made it to full-time surname obscurity now though.Bless his cotton socks.


A - Die Letzten Augen (23:30)
B - Rand (Einer Wunde) (26:00)

Tuesday, 2 January 2018

Giancarlo Toniutti ‎– Metánárkōsis (Self-Released Giancarlo Toniutti ‎– 2) 1983

Another self released cassette of Giancarlo Toniutti's student electro-acoustic compositions that fit nicely in the more cerebral end of the Italian Industrial spectrum.
These minimal electronic field recordings,with the occasional submerged speech in German (probably by some unnamed Nazi?),and found object percussion,carry that signature feel of 'Control' that wannabe 'serious composers' force on the sound. Personally, I prefer a bit of chaos theory to invade my non-music.It becomes a bit predictable after thirty seconds of each track.
Nobody's perfect, especially if you try to be.

A1 Wandnarbe 5:30
A2 Ätzete Stein 7:00
A3 Tra Piante 6:00
A4 Klar 4:30
B1 Here (Convulso) 7:30
B2 Bodenhelligkeit 4:30
B3 That Garden 6:30
B4 Zitternde Luft 4:30

Monday, 1 January 2018

Giancarlo Toniutti ‎– "Wechselwirkung" (Self-Released Giancarlo Toniutti ‎– 1) 1982

Giancarlo Toniutti was an actual 'trained Composer',studing electronic music at the Conservatoire in Venice between 1982-1985 under Alvise Vidolin.During this period there were a lot of Italians making self released cassettes in the recently formulated 'Industrial' stylee, like Maurizio Bianchi (M.B.) and the late Pierpaulo Zoppo's Mauthausen Orchestra.So, naturally Giancarlo obviously thought it'd be a good idea to get his work 'out there' with a few self-released cassettes.Although his work is decidedly bordering on the Electro-acoustic/Drone side of things,i'm sure we can lump it in with his more extreme compatriots.Yep, i'm comfortable with that.
Apart from cheesy house music, there are two areas that Italy took to like a fish to water,and never tired of;one being symphonic Prog Rock,and the other seems to have been Industrial.They were in there at almost the year zero of the genre,and continue to produce some uncompromising work.Their tanks may have been built with five reverse gears and their national flag regularly exchanged for a plain white one, but when it came to extreme music they never stopped advancing into enemy territory,and for once never swapped sides.
Anyway, this is what Toniutti says in the liner notes:

"Mechanic waters - interaction between 2 musical segments, each of which put on a channel of a stereo system.
Quertanz - interaction among 3 different rhythm segments.
Bianco (across the land) : interaction between 2 different sequences of notes of the same length.
Innenspitzen : interaction among 4 different repeated beats segments.
Nearly Human : interaction among 5 different segments of voice.

Recorded at home: 1.15. 6. 1982"


A1 Mechanic Waters 16:30
A2 Quertanz 4:30
B1 Bianco (Across The Land) 11:30
B2 Innenspitzen 5:30
B3 Nearly Human 2:30

Sunday, 31 December 2017

Andrew Chalk and Giancarlo Toniutti ‎– "Tahta Tarla" (Pans'urlo Panseri ‎– G:Rᵐ–>Rⁿ / 03Rⁿ) 1993

Silence is often louder and more disturbing than the visceral noise that Andrew Chalk began his career with as Ferial Comfine.
This tinnitus style collaboration with early Italian Industrialist Giancarlo Toniutti, is as disturbing as being confronted by your own hidden thoughts.
As it's our last post of this very....very.... crap year of 2017,it will give you a chance to reflect upon the tragedy of the rise of a new dark age of popularism. For the first time since the Berlin Wall came down, there's a real danger that we have leaders stupid enough to start a nuclear conflict. So savor what could be your last chance to say 'Happy New Year',no matter how ironic are those words or vacuous those tedious fireworks displays are , because next time, we could all be DEAD!


A Tienalauami(24:27)
B Warkswood (20:31)

Friday, 29 December 2017

New Blockaders With Ferial Confine ‎– "The Final Recordings" (Dom Bartwuchs ‎– DOM BW 02) 1990

These are indeed the 'Final Recordings' of Andrew Chalk's 'Ferial Confine' project, but The New Blockaders would carry on to this very day.
Andrew Chalk would go on to make increasingly disappearing and quieter music as himself in the Dark Ambient arena; whereas The New Blockaders would carry on making the same old noise for the next quarter of a century.
As much as I love a nice paint stripping noise track or two, they do tend to chafe somewhat at the boredom threshold. Like Van Morrison has made the same LP every year for fifty years, the leading lights of the Noise/Drone scene are doing the very same, pointless exercise. Having said that, Pointlessness is the entire point of The New Blockaders raison d'etre, so I can't criticize them for sticking to their dogma like limpets,as I usually criticize artists for not doing this.......they just can't win can they?
I heartily advise making just one record then stopping.Then one cannot be criticized for anything of the sort,except for being a quitter.


A Untitled 17:06
B Untitled 18:21

Wednesday, 27 December 2017

Ferial Confine ‎– "Meiosis" (Broken Flag ‎– BF48) 1985

Another journey through the Richter scale of noise from Ferial Confine, aka Andrew Chalk.
Ranging from gentle electrical interference accompanying birdsong, to paint stripping screeching noise.
Meiosis is the initial stage of cell division that leads, ultimately to the existence of the Human scourge of the Planet Earth.So the gentle acceleration from something tranquil ,even beautiful, to an ear-bleeding destructive racket is, for these bleeding ears, a very accurate portrayal of natures greatest mistake.


Side A (31:41)
Side B (31:07)

DOWNLOAD the scourge HERE!

Tuesday, 26 December 2017

Ferial Confine ‎– "The Full Use Of Nothing" (Self-released Cassette) 1985

Ferial Confine was Andrew Chalks scratchy scrapey nihilistic noise outing from early in his 'career.
Reminding one very much of similar cohorts, Organum,and The New Blockaders work; Chalk was right in there when it came to the early days of articulating 'Noise' into something feasible. He would later travel down the well-trodden path of ambient drones,but his early work is truly bizarre.


Side A (20:23)
Side B (18:35)

DOWNLOAD to get the full use of something HERE!

Sunday, 24 December 2017

The Goodies ‎– "Father Christmas Do Not Touch Me" (Bradley's Records) 1974

As I couldn't be fucking arsed to make a Christmas compilation for this years midwinter festival, I'll just post my favourite inappropriate Christmas single by British comedy trio, The Goodies.
In the long,round,fluffy shadow of Harvey Wankstain, this tune seems to sum up this watershed year for the male libido. Beware he with a roving eye, or a penchants for the 'touchy feely', for he may land himself banged up for sexual deviancy. 
Back in the mid-seventies, in the realm of Jimmy Saville, Gary Glitter, and Bill Cosby, sexual assault was as trendy as a pair of 30 inch flares and a bottle of Hai Karate
These days, one is technically a Rapist if one has consensual sex whilst drunk(Is there any other way to have sex one may ask?).Naturally only applicable to those disgusting creepy pervs ,men.So, during the christmas office party this year, be sure to gain the written consent from the potential target for your lust,and a witness to testify that she/he wasn't drunk at the time of signing. Maybe this is all part of Bill Gates' secret depopulation program, apparently called "Agenda 21"?(yup, another conspiracy theory).
This very dodgy record,however, recounts a confrontation between a creepy St Nicholas derivative and a young lady who has apparently grown up considerably in certain departments during the 12 months since their last meeting.But all this was 'Alright In The Seventies'

DOWNLOAD or stream by touching  HERE!

The New Blockaders / Coil / Vortex Campaign - "Dolbied" (Self Released) 1984

The New Blockaders with their Flemish cousins in Vortex Campaign, bring you more unadulterated Racket with chums, Coil adding something strange to the proceedings. I doubt Coil saw themselves as Nihilists, so that opens up the role of the noise and lack of conventional instruments to something other than the rigid dogma of the other Blockaders releases. As for Vortex Campaign, I know nothing about them, except that they are a couple of Belgian brothers,and,as far as I know, were never heard of that's proper 'Nihilism' in action. 


1 –"Untitled"
2 –"Untitled"
3 –"Untitled"
4 –"
The Melancholy Mad Tenant Part 1"
5 –"The Melancholy Mad Tenant Part 2"

Saturday, 23 December 2017

The New Blockaders & Vortex Campaign ‎– "The New Vortex Blockaders Campaign" (Self-Released) 1984

Vortex Campaign, were some kind of Belgian New Blockaders doppelgangers.Two brothers who make nihilistic noise compositions.But,unlike The Rupenus Brothers, they seemed to actually become 'nothing'.
The anti-music is the, by now, trademark grinding noise, but a tad less relentless than on previous releases.Those crazy kids!


A1 –The New Blockaders & Vortex Campaign "Kamtar & Rio"
A2 –The New Blockaders & Vortex Campaign "Mandrake Manfits"
B1 –Vortex Campaign "Godhead"
B2 –The New Blockaders "TNB"

DOWNLOAD and bypass the blockade HERE!

Friday, 22 December 2017

The New Blockaders ‎– "Live At Morden Tower Newcastle-Upon-Tyne" (Self-released C-46) ‎1983

This cassette should have carried the following disclaimer: 'No Instruments were hurt during the making of this album'.Which is easily adhered to, as NO instruments were even used to make this complete racket.To quote a contributor to "The Wire" magazine who really should get out more:
’The Crackle of broken amplifiers precipitates a whole new order of independently morphing soundforms, all giving shape via flashes of metallic lightening, smashed glass, trashed microphone feedback and acoustic low-end pellets that scale the walls like slugs. Gradually accruing hypnotic significance, they birth spontaneous form in the shape of textures and recur with such accumulative force, they threaten to collapse the performance under its own weight.’ This unrelenting brutal noise attack could be the Rosetta stone of modern Noise as we know it,and are now bored of.Back in 1983 this was about as sonicly shocking and offensive as you could get without swearing or nudity.Those laughable councils who banned the Sex Pistols for playing standard Rock would have had kittens had the Pistols sounded like this as well as wearing designer clothing;but then again if they really did sound like this the kids wouldn't have bought the records.This is what 'Punk Rock' should have been.Shunning commerciality,shunning performance,shunning celebrity,shunning 'shunning'.
But of course, the word I should be using is TNB's favourite prefix, "Anti". They are "Anti" Art, "Anti" Music, "Anti" Performance etc.They are even uncomfortable with their own nihilistic terms, correctly identifying "Anti-Art" as something that could suggest the very opposite of what it says......and they'd be right.
In fact the only way of being "Anti" anything is to NOT do it.So merely by making a noise,recording the event,and creating an object with some obvious thought behind it, they contradict themselves.
Of course this is "Art" you silly boys.
As Don Van Vliet said, "You've had too much to think".


A –Live At Morden Tower 13th July 1983
B –With Sir Ashleigh Grove Live At Morden Tower 12th Oct. 1983

Monday, 18 December 2017

The New Blockaders ‎– "Changez Les Blockeurs" (Self-Released) 1982

aNTI-aRT, aNTI- mUSIC nIHIISTS, is a common phrase used to describe The Rupenus brothers, aka The New Blockaders.
Basically they use Noise, as put forward in the "Art Of Noises" manifesto by Luigi Russolo in 1913,as a way of creating Musical and Artist Nihilism whilst at the same time distancing themselves from both genres. By 1982 Noise had already been realised by many artists from AMM to Einsturzende Neubauten.
The New Blockaders took this on as a lifestyle, building an ideology and myth around their attempts to explain away their 'Art'as 'Anti-Art' and their 'Music as 'Anti-Music', when it is all quite obviously 'Art' and 'Music'.They bang on about not performing as a spectacle for an audience, even electricity is not needed,as well as the audience.Its all purely coincidental.An attempt to put the 'Nihil' into both genres they claim to have nothing in common with.
But purely by existing they contradict themselves, even more so when a recorded document is created to prove that they exist and the sounds they created are there to be replayed again and again, if so desired(which is doubtful), then they have created something solid and real; which is basically "Art"!
They eloquently explain their philosophy regularly in detailed rants, which if they were pure Nihilists, as they claim, they would never need, or have anything at all , to explain? Which ultimately makes it all maybe they have achieved their goal after all?.....Christ I feel stupid!


Side 1 (22:34)
Side 2 (22:36)

DOWNLOAD without blockages HERE!

Saturday, 16 December 2017

Organum ‎– "In Extremis" (L.A.Y.L.A.H. Antirecords ‎– LAY 19) 1985

Another plethora of scraping and squealing sounds, augmented by what sounds like an electric fan with something inserted between the rotating blades.
Top quality Non-Music from one of the originators of the genre, helped on side B by the Rupenus brothers, aka 'The New Blockaders', who add their own special brand of Nihilism as anti art to the already nihilistic mixture(they also frown on 'Anti-Art too by the way!).....and end up!? In fact even making non-music and releasing a record with a designed sleeve seems to go against their impossible standards somewhat, but there you go, nobody's perfect?


A1 In Extremis Pt. 1
A2 In Extremis Pt. 2
B Valley Of Worms

Friday, 15 December 2017

Organum ‎– Tower Of Silence (L.A.Y.L.A.H. Antirecords ‎– LAY 12) 1985

This is the sound i heard every Friday lunchtime at school,where the whole class would move their chairs and desks in the direction of the exit to make ready for the rush to get to the dinner hall first before sport in the afternoon.
If scraping chairs,nails scratching down a blackboard,and general metal on metal friction is your gig,this is highly recommended.


A1 Tower Of Silence Pt.1 2:21
A2 Tower Of Silence Pt.2 7:14
B1 Voice Of The Angel 3:49
B2 Incarnate 4:48

Thursday, 14 December 2017

The New Blockaders and Organum ‎– "Pulp" (Aeroplane ‎– AR 7) 1984

This is the single version of Organum's "Pulp/Icon" cassette, augmented by anti-anti-art noise merchants the 'New Blockaders';who add a spadeful of searing noise to the recipe.
One has to say, the 7" vinyl format seems suited to this brand of scraping heavy machinery.As intense and exciting this grinding racket is, three and a half minutes is just about enough to avoid boredom.......modern day attention spans huh?   

A Pulp Pt.1
B Pulp Pt.2

Wednesday, 13 December 2017

Organum ‎– "Pulp / Icon" (Self-Released C-30) 1983

Whereas David Jackman appeared as 'himself' on his early cassette releases; around 1983 he became 'Organum' to become more anonymous ,if that was possible?
Dipping his toes further into the realms of non-musical droning noise, here's Organum's first release, featuring two near identical drones not unlike a spinning washing machine dueling with a taxi-ing prop driven aircraft.
Basically, don't expect a sing-a-long. 

A Pulp (15:38)
B Icon (15:10)

Tuesday, 12 December 2017

Claire Thomas & Susan Vezey ‎– "Reprint" (Snatch Tapes ‎– tch 220) 1980

As much as we wish this DIY Avant-Industrial classic was by two young ladies called Susan and Claire; I hate to reveal the open secret that this was indeed by Mr. Snatch Tapes and Storm Bugs member, Philip Sanderson.
These were the two fictitious ladies we wish had joined the Human League instead of said group becoming the cast of 'Rita Sue and Bob too.... 2'.......but ,No! It was a clever attempt to disguise a solo project, and distance oneself from the 'cult' of personality that inevitably accompanies an artist stepping out of the shadows of pop mythology.
I mean just look at whats happened to The Residents? Everyone knows who they are, and were, in these sad ol' days.Even famed wall-scrawler 'Banksy' has been outed as a posh ex-public school boy called Robin Gunningham...nick name 'Robin Banks'(Geddit?); and most definitely NOT that boring bloke from Massive Attack.The 'real' facts are far less romantic than the myths.
Its become increasingly hard to do this in the modern information/disinformation age. So maybe new tactics are needed? Utilising the evil,and real wrecker of civilisation, Facebook(s) talent for 'Fake News' and 'Alternative Facts'. Which possibly means that this tape really IS by Claire Thomas and Susan knows the real 'Truth' about anything anymore! 


A Reprint 1 (12:18)
B Reprint 2 (11:50)

Storm Bugs ‎– "Table Matters" (Loop Records ‎– Loop 323) 1980

Snatch Tapes founder and frequent David Jackman collaborator, one Philip Sanderson, was, as if you didn't know, also in DIY Industrial duo 'Storm Bugs'. And to prove it here he is with Steven Ball,on their debut vinyl appearance on Loop Records, keeping Snatch Tapes purely cassette based.
Despite some Genesis P-isms in the vocals department, this is undoubtedly equal in 'old school' Industrial power as the best of our chums in Throbbing Gristle or Cabaret Voltaire; echoes of both can be heard here, mixed in with more than a pinch of Storm Bugs obvious avant-garde tendancies.
Its all chucked into the cake mix here, heavily effected vocals, found dialogue, repetitive tape loops,metal percussion, electronics and of course an overworked echo effects unit.


A1 Cash Wash 1:41
A2 Eat Good Beans 1:59
B1 Make Customers Matter 2:09
B2 Window Shopping 2:06
B3 Our Main Objective 4:44

Monday, 11 December 2017

David Jackman ‎– "Ritual" (Snatch Tapes ‎– tch 211) 1981

A lengthy C-7 release on Philip Sandersons legendary 'Snatch Tapes', by David Jackman, with some assistance by everyone's favourite DIY label owner.
For the need of a better word, this 'cassingle' was unlikely to trouble even the most obscure of charts with Snatch Tapes unlimited supply of 30.
Side A is like an ambient recording from the engine room of a small submarine of a small vessel passing on the surface above, accompanied by a swinging rope brushing randomly against an electric guitar.
Side B is the sound of that same small vessel grounding itself on a reef while the sub breaks apart in the depths.
A –David Jackman "Ritual" (3:29)
B –David Jackman & Philip Sanderson "Offshore" (3:28)

Sunday, 10 December 2017

David Jackman ‎– "Crest" (Aeroplane ‎– AR02) 1982

Four foreboding noise drones for the modern gentleman, as released on a very limited edition C-20 in 1982 by David Jackman on his own Aeroplane label.
These days everyone has a drone project going on; but back in 1982 this kind of stuff could get a Daily Mail reader foaming at the mouth like a rabid ferret, warning about such ill-informed hyperbole as 'the death of civilisation'. Those Brexit voting cretins would be missing the point, because this non-music is all about philistines like 'Daily Mail readers' in their role as the real killers of civilisation........again.....Twats! A cosy cardigan slippers and pipe type of passive evil that their kind are!


A1 Crest
A2 Ember Hollow
B1 Grass
B2 Dawn Plaza

Saturday, 9 December 2017

David Jackman ‎– "Up From Zero" (Aeroplane ‎– AR03) 1982

A Fine and willful purveyor of creeping sinister noise is ex-scratch orchestra and Snatch tapes stalwart David Jackman. In there right at the year zero of articulated scraping Noise. A single minded approach to making non-music,looking total obscurity in the face. 
If you like the sound of a distant container vessel breaking up in a calm sea and sliding to the bottom of a polluted and dead ocean along an immense blackboard? Then this is for you. Although there is something strangely comforting about this menacing symphony of crashing cars and drowning hulks of structurally compromised hulls.


Ways To The Sea
Up From Zero

Friday, 8 December 2017

Those Little Aliens & This Little Alien ‎– "Recordings 1980-1981" (Vinyl-on-demand)

Gordon A. Hope and Ian Dobson, aka 'Those Little Aliens', were also founder of experimental music fanzine 'Flowmotion'; which is probably why LTA were on the Flowmotion compilation on ICR.
Classic cassette bound lo-fi electronica from the UK DIY underground of 80/81.
Talking about Aliens....
As i wrote a rant about thick xenophobia eg Brexit, a few posts ago, I now hear that Brexit is basically OFF, as May crumbles over the Irish border.Now the borders remain open, and Britain gets to pay the EU loads of money for getting no representation in the EU Parliament in return.....what a deal, what a waste of fucking time!!!???...all due to Those Illegal Aliens!
In the meantime we'll listen to something that is absolutely NOT a waste of time.......yes 'Those Little Aliens', what else did you think I was referring to?.....The EU anthem? (Beethoven's Ironic 'Ode to Joy' if you didn't know.


01 Ismalia 3:03
02 Low Point X 2:45
03 Sentimental 1:57
04 Voortrecker 2:06
05 Incident In Moderan 2:26
06 4 To 4 Rumbling 4:55
07 Momente Über Statik 2:04
08 Aarg, Stop It 8:22
09 Metal Time Control 3:28
10 Out Of Sequence 2:42
11 Chattering Aliens 2:12
12 Stepping Backwards 5:23
13 Prarie Drifter 2:12
14 Your World 5:05
15 Dilemma 2:35
16 Debth Of Space 1:47
17 No Noise 4:57

01 from Various - Flowmotion
02 and 03 from Various - We Couldn't Agree On A Title
04 to 07 from Those Little Aliens - Incident In Moderan
08, 15, and 16 from This Little Alien - Synthesizer Specialist
09 to 14 from Those Little Aliens - Variable
17 from Those Little Aliens - York Tape

Thursday, 7 December 2017

Various ‎– "Flowmotion(An Album of Contemporary Electronic Music)" (ICR ‎– ICR 003) 1982

Well, as this compilation is over 35 years old, it can no longer claim to be an album of Contemporary anything, but it does have some electronic music on it ,by some of the bigger names of the UK's electronic underground of the early eighties. And I note that none of this lot have yet to retire.
A few of these tracks one would hesitate at calling them strictly 'Electronic'.Experimental pop with incidental electronics is good enough for Eyeless In Gaza,and Those Little Aliens hark back to the time when magnetic Tape manipulation was called 'Electronic' Music.I suppose anything made with machines that one plugs into the mains is technically 'Electronic' so there you are!?


A1 –Chris & Cosey-Devil God
A2 –Those Little Aliens-Ismalia
A3 –Eyeless In Gaza-Dusky Ruth
A4 –Eyeless In Gaza-Through Eastfields
A5 –David Jackman-Do The Dog
A6 –Ian Boddy-Follow
A7 –The Legendary Pink Dots-Hanging Gardens
B1 –Ian Boddy-Skylights
B2 –Paul Nagle-A Journey In The Dark
B3 –Carl Matthews-As Above, So Below
B4 –Colin Potter-Rooftops

Wednesday, 6 December 2017

Various Artists ‎– "A Cage Went In Search Of A Bird (An International Compilation)" (Dark Star ‎– DS 1-2) 1985

A wide ranging compilation that included all the leading lights of the UK Electronic Underground.....aka a fancy way of saying 'Prog'......are collected on this c-90/c-60 double package.Compiled in 1985 by our chums from the Ultima Thule Record Shop in Leicester; whose own projects (Alto Stratus and Zircon etc) take up a hefty 20 minutes of tape time.....and why not?
A wide range of abstract experimentation is on display over these two and a half hours, ranging from Ambient electronics to mid range Industrial, to the madness of DDAA,categorised in the 'Other' category on iTunes.

White Side
A1 –Paul Nagle-Skrying 8:45
A2 –Peter Frohmader-Pharaonische Grabkammar 9:10
A3 –Colin Potter-Potters Wheel 6:14
A4 –Region 5-In The Cage Of Crystal Moonlight 5:43
A5 –Conrad Schnitzler- 1·11·84 7:02
A6 –Adhara Alucian Landscape 6:58
Yellow Side
B1 –Ken Moore In The Field With Flowers & A Toilet 5:47
B2 –Kevin O'Neill The Claws That Catch 5:39
B3 –Peter Frohmader Sepulchral Choirs 11:28
B4 –Alto Stratus The Captive 14:56
B5 –Paul Kelday Timelord 5:06
Grey Side
C1 –Günter Schickert Powolerman/Suleika 8:53
C2 –Land Of Yrx Merman Ikon Bee 7:07
C3 –Bourbonese Qualk-Blackout 3:02
C4 –New 7th Music-Tlazolteotl 5:03
C5 –Hartmann-Forget The Past 3:08
Blue Side
D1 –R N Andrews- Humphrey's Final Words 2:06
D2 –Aussenminister-City Wolf 4:29
D3 –Zircon & The Burning Brains-Imaginé 5:16
D4 –Input- Heavy Street 4:19
D5 –David Gate-Nothing Isn't Everything 3:39
D6 –Rollkomanndo-Nude Picture 2:11
D7 –DDAA-Une Etude De Sonorisation Par Le Sol 4:50

Tuesday, 5 December 2017

Paul Kelday ‎– "Expedition To The Barren Reaches Of The Mind" (DTW ‎– DTW 011) 1986

Come on this disturbing journey into the very,very, Barren regions of a Trump supporter or a Brexit leave voter's malfunctioning Brain.
See the naked racism and or Xenophobia, slooshing around with casual misogyny and outwardly mobile bigotry.
As for environmental issues, side B sums up very nicely what these intellectual minnows would like to do to any idea that could possibly help make the future more survivable for our children.Short-termism and political myopia reign supreme, while these largely decrepit old fogies slowly fuck up the lives of the young.
As immigration falls sharply in pre-Brexit Britain , leaving thousands of job vacancies unfilled; we have yet to see these proud 'little englanders' queuing up to take these mythical jobs that have been stolen by those dirty filthy Eastern European hordes . Mostly they(Leave voters,not eastern europeans!) are too fat, lazy, or old; missing their appointments at the job centre because their mobility scooters are on charge.

"Referendums are a device for Dictators and Demagogues"(Margaret Thatcher!(1975)...Nice one Maggie!

It all might have been different if the €60 Billion euro divorce bill had been put on the side of a bus sum up.....Twats!
In fact this tape has far too much of interest on it to accurately represent the echoing emptiness in the mind of a Trump era brexshiteer; it should in fact just be the natural hiss of analog tape, like self cleaning urinals hissing their dissapproval.
Luckily the mind Paul is exploring here isn't the mind of one of these despicable morons, its the mind of an average human being from the minority rather than the moronic majority. So there are lots of interesting abstract electronic  sorties into the regions of the brain that are rarely stimulated.

DOWNLOAD to fill those barren regions of your mind HERE!

Monday, 4 December 2017

Paul Kelday ‎– "Beyond The Perimeters" (Self-Released) 1983

Paul Kelday was releasing self released cassettes of abstract electronica as early as 1974.Even using the much vaunted send a blank tape and a stamped addressed envelope system that was so fashionable at the height of the UK DIY era from 79-81.
This C-60 is still in his trademark BBC Radiophonic Workshop stylee, but also hints at a kinship with the Industrial scene. Probably one of his more listenable works full of wild analogue electronics.
If he was somewhere fashionable he'd probably be lauded as an avant-garde compostion genius, but, seemingly without any ego whatsoever, he remained in the shadows. Eventually,by the end of the eighties, he disappeared from the music scene altogether.Preferring a quiet life with his partner without Internet or Telephone, or Musical instruments. He stopped, and by Jiminy he meant it...very noble.

DOWNLOAD from beyond the perimeters of normal HERE!

Sunday, 3 December 2017

Paul Kelday ‎– "Eschatus" (Integrated Circuit Records) 1982

More electronic noises from downtown Bognor Regis that sound, variously, like amplified dentist drills and braking subway trains fed through a plethora of tape echos and plate reverbs units.
The bastard child of Bebe and Louis Barron ('Forbidden Planet') and the BBC Radiophonic Workshop.

DOWNLOAD kelday today HERE!

Saturday, 2 December 2017

Paul Kelday ‎– "The Plane Of The Inner-Between" (WMT ‎– WORK 015) 1981

Does he mean 'Plain' or 'Plane'?
Anyway, Paul Kelday had been farting around with his electronic devices, literally making 'Farting' noises, since around 1974. So this gives him the right to be the 'Daddy' of the DIY UK Electronic Underground. The Grandaddy being 'Trevor Wishart' of course.
This is as far away from 'The Berlin School' sound one could possibly wish for, and has more in common with the abstract electronics of Asmus Tietchens, and The BBC Radiophonic Workshop than Edgar Froese.
Lots of funny electronic noises,tape loops,found sounds and echo effects, rather than repetitive hypnotic melody lines, were the order of the day for Paul.Either because he was incapable of playing a synth's keyboard,if he had one, or it was a conscious decision. Either way this would make a good soundtrack for a 'Forbidden Planet' remake.


A1 The Plane Of The Inner-Between
B1 Black Stream
B2 N.C.C. - 1701
B3 Event Horizon